Taming Dreams OST, by Tobias Cornwall

Taming Dreams OST

by Tobias Cornwall

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1.	Theme 01:07	buy track
2.	Intro 00:42	buy track
3.	Dreams Drive us to Divine Discoveries 02:59	buy track
4.	Dream Nexus 01:01	buy track
5.	Tame Thyself 04:55	buy track
6.	Sunset 01:21	buy track
7.	Steele'd! 00:27	buy track
8.	Missing Enki 01:14	buy track
9.	Rohoph - Thou Who Art Not Good 02:40	buy track
10.	Gemsand 02:59	buy track
11.	Meraeadyth - Reason's Mental Metal 01:45	buy track
12.	Well, We'll Be Well! 01:19	buy track
13.	World Map 02:08	buy track
14.	Forest 02:17	buy track
15.	Miasmon! 02:31	buy track
16.	Steele - I Fight FOR My Nature 01:29	buy track
17.	Atonae 02:29	buy track
18.	Emeela - Longing for Belonging 02:19	buy track
19.	The Mermaid 02:16	buy track
20.	Still Ruins 02:56	buy track
21.	Deugan & Emeela Being Awkward 01:58	buy track
22.	Faith 02:54	buy track
23.	Mardek 03:15	buy track
24.	Longing & Be Now 04:38	buy track
25.	Trailer 02:39	buy track
26.	Unused - Elwyen 02:25	buy track
27.	Unused - Enki's (Original) Theme 01:58	buy track
28.	Unused - Reason's Mental Mental - 1st Draft 02:14	buy track
29.	Unused - Reason's Mental Metal - 2nd Draft 02:05	buy track
30.	Unused - Dreams Drive us to Divine Discoveries - Version 1 00:39	buy track

about

Music from Taming Dreams, an episodic reimagining of MARDEK for mobiles that I attempted in 2015, with its themes inspired by a (sadly temporary) ~spiritual awakening~ I was going through at the time. I only produced three episodes, but I made them - and the music for them - surprisingly rapidly; this whole OST seems to have been composed over 9 months, alongside making the rest of the game. It's more competent than MARDEK's music, and I'm still hugely proud of most of it!

credits

released August 9, 2015

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about

Tobias Cornwall UK

I'm a self-taught composer who's been at this since I was 15 (DOB Feb 1988). I mostly make indie games and the soundtracks for them, though I've also composed a bunch of non-game music for the joy of it.

My music uses MIDI soundfonts, and I compose in Sibelius. I'd describe it as 'idiosyncratic'! I seem to naturally use non-Ionian modes, with a particular preference for Mixolydian. ... more

alorafane.com

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